A Gato Negro Films production. Produced, directed, written by Sebastian Gutierrez.

Elektra Luxx - Carla Gugino
Doris - Connie Britton
Holly Rocket - Adrianne Palicki
Bambi - Emmanuelle Chriqui
Maxine McPherson - Sarah Clarke
Cora - Marley Shelton
Rita - Rya Kihlstedt
Darby - Cameron Richardson
Nick Chapel - Josh Brolin
Travis McPherson - Simon Baker
Bert Rodriguez - Joseph Gordon-Levitt
Charlotte - Isabella Gutierrez
Addy - Caitlin Keats

It is tempting to see Francis Ford Coppola’s latest work — “Tetro,” a visually lush cinematic fugue about love, ambivalence and two brothers fleeing the dark shadow of their domineering father, a world-famous conductor — through the lens of autobiography. But like much of this movie, the lens appears clouded. Mr. Coppola’s father, Carmine, who died in 1991, was a rather less celebrated musician, best known for some of the scores for his youngest son’s films, including “The Godfather: Part II” and “Apocalypse Now.” Then again, the ravenous, larger-than-life patriarch in “Tetro” could also be a self-portrait of the director.

It's been claimed more than once that vampires are the new zombies, and a quick glance at the Fantasia Film Festival's programming would seem to settle the matter. That said, no genre festival would be complete with at least one picture to bear the flesh-eating banner, and this year the role falls to David Morley's Mutants. Unfortunately, Morley's uninspired entry fails to carry the standard. Shot in a barren Picardy, buried in snow and washed in gray, Mutants left me feeling cold.

I have a confession to make. My status as a certified Kansas City Barbecue Society judge has been, until this weekend, largely ceremonial. Don’t get me wrong – I’ve sat through the certification course and I’ve judged my share of contests.

The film was directed by Kathryn Bigelow. The screenplay was written by Mark Boal, a freelance writer who was embedded as a journalist in 2004 with a US bomb squad in Iraq. It stars Jeremy Renner, Anthony Mackie, and Brian Geraghty as members of a U.S. Army EOD unit in Iraq and follows their tour together as they contend with defusing bombs,

In the age of warring Chinese states, during which countless wars were waged to unify kingdoms, the King of Lu gets help from highly influential philosopher Confucius to regain his power

The Men Who Stare at Goats is a 2009 comedy film directed by Grant Heslov and written by Peter Straughan and released in theaters on November 6, 2009. It is based on the book of the same title by author Jon Ronson, an account of the investigation by Ronson and John Sergeant[3] into attempts by US military forces to use psychic powers.[4]

Planet 51 is the party pooper, looking to pass itself off as a spirited sci-fi romp crammed with slapstick and four-quadrant-friendly pop culture references to best wow the crowds. The picture is actually a poorly conceived comedy spotlighting a collection of anal-centric humor that’s about as appealing as baseball bat to the face. After watching a few creative minds take the animation genre to soaring heights, the dreadful routine and vulgar imagination of Planet 51 is all the more dispiritingly amplified.

“Fantastic Mr. Fox” is a proudly analog animated entertainment, making its handmade way into a marketplace glutted with digital goodies. Next to the three-dimensional, computer-generated creatures that swoop and soar off the screen these days, the furry talking animals on display here, with their matted pelts, jerky movements and porcelain eyes, might look a little quaint, like old-fashioned wind-up toys uneasily sharing the shelf with the latest video game platforms.

The end of Cabin Fever 2: Spring Fever is pretty much a disaster, but if you can get there from the beginning of the film you may not mind. Ti West's disowned sequel to Eli Roth's 2002 cult movie indisputably falls apart in its final scenes, but the writer-director of The House of the Devil has an unerring ear for naturalism, even

Toby Morgan is a young boy, but feels the loneliness of his strict grandmother and increasingly distant father. His discovery of the “magic attic” offers a safehaven where he finds a stuffed rabbit his mom (Seymour) left him before she passed-away.

“It’s just what I expected and the stronger material here far outweighs the mediocre stuff.”
Remember Dario Marianelli? Sure you do! He won that Oscar for best score last year with Atonement. He is not the most

Review
Malice in Wonderland is an off the wall re-imagining of Lewis Carroll's seminal tale transported to modern day London, Southend and Great Yarmouth. Rather than tumbling down the rabbit hole, Alice is hit by a cab and whilst suffering from amnesia (and the side effects of some particularly potent tranquilisers provided by her new found knight with The Knowledge) she's ferried around a seedy and surreal criminal underbelly by her fast-talking and time-pressed cabby, "Whitey", played by Danny Dyer.

Adapted from Darren O'Shaughnessy's book series the Saga of Darren Shan, Cirque du Freak: A Vampire's Assistant is an endearingly goofy teen-vampire tale reminiscent of The Goonies or Lost Boys. Like those kids' horror classics, Cirque du Freak is a coming-of-age tale in which maturity is hastened by horrific discoveries of alternate realms

You probably already knew Mount Olympus was the home of the Greek gods, but did you know to get there all you have to do is take an elevator secretly located inside the Empire State Building to get there? I was equally shocked to learn Medusa runs a greenhouse in New Jersey and lotus eaters have taken up residence in Las Vegas. Next thing you're going to tell me is Hell is located in Hollywood. Wait… What? It is?